Landscapes of the Metropolis of Death: Reflections on Memory and Imagination
Otto Dov Kulka (Author)
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Poland
The harrowing true tale of seven escaped Soviet prisoners who desperately marched out of Siberia through China, the Gobi Desert, Tibet, and over the Himalayas to British India.
Since the end of Communism, Jews from around the world have visited Poland to tour Holocaust-related sites. A few venture further, seeking to learn about their own Polish roots and connect with contemporary Poles. For their part, a growing number of Poles are fascinated by all things Jewish. Erica T. Lehrer explores the intersection of Polish and Jewish memory projects in the historically Jewish neighborhood of Kazimierz in Krakow. Her own journey becomes part of the story as she demonstrates that Jews and Poles use spaces, institutions, interpersonal exchanges, and cultural representations to make sense of their historical inheritances.
During World War II, Irena Sendler, a Polish Catholic social worker, organized a rescue network of fellow social workers to save 2,500 Jewish children from certain death in the Warsaw ghetto. Incredibly, after the war her heroism, like that of many others, was suppressed by communist Poland and remained virtually unknown for 60 years.
Unknown, that is, until three high school girls from an economically depressed, rural school district in southeast Kansas stumbled upon a tantalizing reference to Sendler’s rescues, which they fashioned into a history project, a play they called Life in a Jar. Their innocent drama was first seen in Kansas, then the Midwest, then New York, Los Angeles, Montreal, and finally Poland, where they elevated Irena Sendler to a national hero, championing her legacy of tolerance and respect for all people.
Life in a Jar: The Irena Sendler Project is a Holocaust history and more. It is the inspirational story of Protestant students from Kansas, each carrying her own painful burden, each called in her own complex way to the history of a Catholic woman who knocked on Jewish doors in the Warsaw ghetto and, in Sendler’s own words, “tried to talk the mothers out of their children.” Inspired by Irena Sendler, they are living examples of the power of one person to change the world and models for young people everywhere.
Sixty percent (60%) of the royalties of Life in a Jar: The Irena Sendler Project are donated to the Irena Sendler/Life in a Jar Foundation. The foundation promotes Irena Sendler’s legacy and encourages educators and students to emulate the project by focusing on unsung heroes in history to teach respect and understanding among all people, regardless of race, religion, or creed.
In 1943, with Lvov's 150,000 Jews having been exiled, killed, or forced into ghettos and facing extermination, a group of Polish Jews daringly sought refuge in the city's sewer system. The last surviving member this group, Krystyna Chiger, shares one of the most intimate, harrowing and ultimately triumphant tales of survival to emerge from the Holocaust. The Girl in the Green Sweater is Chiger's first-person account of the fourteen months she spent with her family in the fetid sewers of Lvov.
The Girl in the Green Sweater is also the story of Leopold Socha, the group's unlikely savior. A Polish Catholic and former thief, Socha risked his life to help Chiger's underground family survive, bringing them food and supplies. A moving memoir of life under unimaginable circumstances, The Girl in the Green Sweater is ultimately a tale of intimate survival, friendship, and redemption.
The shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews.
The extraordinary, controversial story of Vera Gran, beautiful, exotic prewar Polish singing star; legendary, sensual contralto, Dietrich-like in tone, favorite of the 1930s Warsaw nightclubs, celebrated before, and during, her year in the Warsaw Ghetto (spring 1941–summer 1942) . . . and her piano accompanist: W³adys³aw Szpilman, made famous by Roman Polanski’s Oscar-winning film The Pianist, based on Szpilman’s memoir.
Following the war, singer and accompanist, each of whom had lived the same harrowing story, were met with opposing fates: Szpilman was celebrated for his uncanny ability to survive against impossible odds, escaping from a Nazi transport loading site, smuggling in weapons to the Warsaw Ghetto for the Jewish resistance.
Gran was accused of collaborating with the Nazis; denounced as a traitor, a “Gestapo whore,” reviled, imprisoned, ultimately exonerated yet afterward still shunned as a performer . . . in effect, sentenced to death without dying . . . until she was found by Agata Tuszyñska, acclaimed poet and biographer of, among others, Isaac Bashevis Singer, Nobel laureate (“Her book has few equals”—The Times Literary Supplement).
Tuszyñska, who won the trust of the once-glamorous former singer, then living in a basement in Paris—elderly, bitter, shut away from the world—encouraged Gran to tell her story, including her seemingly inexplicable decision to return to Warsaw to be reunited with her family after she had fled Hitler’s invading army, knowing she would have to live within the ghetto walls and, to survive, continue to perform at the popular Café Sztuka.
At the heart of the book, Gran’s complex, fraught relationship with her accompanist, performing together month after month, for the many who came from within the ghetto and outside its walls to hear her sing.
Using Vera Gran’s reflections and memories, as well as archives, letters, statements, and interviews with Warsaw Ghetto historians and survivors, Agata Tuszyñska has written an explosive, resonant portrait of lives lived inside a nightmare time, exploring the larger, more profound question of the nature of collaboration, of the price of survival, and of the long, treacherous shadow cast in its aftermath.
The author of these texts was an ethnic German, born, raised and educated in the territories surrendered to Poland under the terms of the Treaty of Versailles. Absolutely bilingual in both Polish and German, the author dedicated her life to a comparative study of Polish and German history and literature. The information presented here, in English translation, in book form for the first time, is otherwise available only in relatively inaccessible or highly difficult and complicated works written by specialists, almost never in English. "The Image of the Germans in Polish Literature" is an absolutely unique piece of literature providing a unique insight into events and mentalities which continue to produce repercussions to this day. These texts are essential reading for anyone interested, not only in the causes of the Second World War, but in arriving at an understanding of certain German actions and attitudes which would otherwise be incomprehensible. Any equation has two sides.
"To this day, I don't even know what my mother's real name is."
Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish--Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in a bond of silence for more than four decades, recounting with heartbreaking clarity a remarkable tale of survival, as vivid as fiction but with the resonance of truth.
Driven to uncover their roots, Fremont and her sister pieced together an astonishing story: of Siberian Gulags and Italian royalty, of concentration camps and buried lives. After Long Silence is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets.
What Fremont and her sister discover is an astonishing story: one of Siberian gulags and Italian royalty, of concentration camps and buried lives. AFTER LONG SILENCE is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets. -->
Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This true, documented chronicle is the intimate, day-to-day record of a woman who survived the nightmare of Auschwitz and Birkenau. It was a shocking experience, it is a shocking book. In a letter to Lengyel, Albert Einstein said, "You have done a real service by letting the ones who are now silent and most forgotten speak." Of the book, actress Mira Sorvino said, "...The amazing story of a woman who survived the Nazi concentration camps. It's unbelievable yet horrifying because it's true."
2008 Orion Book Award
The New York Times bestseller: a true story in which the keepers of the Warsaw zoo saved hundreds of people from Nazi hands.
" THE POLISH-AMERICAN COMMUNITY
The tide of Polish immigration grew continually until 1914 .The number of returns to Poland was also, indeed, increasing, but these on the average did not exceed 30 per cent,(...)"
The terrible months between the arrival of the Red Army on German soil and the final collapse of Hitler's regime were like no other in the Second World War. The Soviet Army's intent to take revenge for the horror that the Nazis had wreaked on their people produced a conflict of implacable brutality in which millions perished.
From the great battles that marked the Soviet conquest of East and West Prussia to the final surrender in the Vistula estuary, this handsome volume from Osprey recounts in chilling detail the desperate struggle of soldiers and civilians alike. These brutal campaigns are brought vividly to life by a combination of previously unseen testimony and astute strategic analysis recognizing a conflict of unprecedented horror and suffering. Author Prit Buttar spins a mesmerizing tale accompanied by rare photographs and informative maps.
Following World War II, the communist government of Poland forcibly relocated the country's Ukrainian minority by means of a Soviet-Polish population exchange and then a secretly planned action code-named Operation Vistula. In Scattered, Diana Howansky Reilly recounts these events through the experiences of three siblings caught up in the conflict, during a turbulent period when compulsory resettlement was a common political tactic used against national minorities to create homogenous states.
Born in the Lemko region of southeastern Poland, Petro, Melania, and Hania Pyrtej survived World War II only to be separated by political decisions over which they had no control. Petro relocated with his wife to Soviet Ukraine during the population exchange of 1944–46, while his sisters Melania and Hania were resettled to western Poland through Operation Vistula in 1947. As the Ukrainian Insurgent Army fought resettlement, the Polish government meanwhile imprisoned suspected sympathizers within the Jaworzno concentration camp. Melania, Reilly's maternal grandmother, eventually found her way to the United States during Poland's period of liberalization in the 1960s.
Drawing on oral interviews and archival research, Reilly tells a fascinating, true story that provides a bottom-up perspective and illustrates the impact of extraordinary historical events on the lives of ordinary people. Tracing the story to the present, she describes survivors' efforts to receive compensation for the destruction of their homes and communities.
“A superlative memoir of survival….Few wartime memoirs convey with such harrowing immediacy the evil of the Nazi genocide.”
—Daily Telegraph (London)
“One Girl’s Story of Survival,” Clara’s War is based on Clara Kramer’s diary of her years spent hiding in an underground bunker with seventeen other people during the Nazi occupation of Poland. In the classic vein of The Diary of Anne Frank—a heart-wrenching and inspiring story of a life lived in fear and cramped quarters—Clara’s War is a true story of the Holocaust as told by a remarkable young girl who lived to bear witness.
The Second World War gripped Poland as it did no other country in Europe. Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story of Poland's war in its entirety, a story that captures both the diversity and the depth of the lives of those who endured its horrors.
Most histories of the European war focus on the Allies' determination to liberate the continent from the fascist onslaught. Yet the "good war" looks quite different when viewed from Lodz or Krakow than from London or Washington, D.C. Poland emerged from the war trapped behind the Iron Curtain, and it would be nearly a half-century until Poland gained the freedom that its partners had secured with the defeat of Hitler. Rescuing the stories of those who died and those who vanished, those who fought and those who escaped, Kochanski deftly reconstructs the world of wartime Poland in all its complexity-from collaboration to resistance, from expulsion to exile, from Warsaw to Treblinka. The Eagle Unbowed provides in a single volume the first truly comprehensive account of one of the most harrowing periods in modern history.